Susan Leigh foster, geheimagentur, Martin Jörg Schäfer, Vassilis S. Tsianos, Jill Orr, Gabrielle de Vietri, Anusha Kedhar, Liz Conor, Maryanne Lynch, Thomas F. DeFrantz, Priya Srinivasan, Helly Minarti, Andrew Fuhrmann, Audrey Schmidt, S-J Norman, Philipa Rothfield, Paul Briggs, Lyndal Jones.
The editors would like to warmly thank Peter Lyssiotis and Jill Orr for their art works illustrating this issue; all the contributors and in particular Guest Editor Maryanne Lynch for her time and wonderful text and Dr. Thomas de Frantz as well as all the publishers which have kindly given us permission to reprint – Theatre Journal, John Hopkins, The Wired Feminist, Verlag Bielefeld and Taylor & Francis. Dancehouse would like to warmly thank Felicity Dennis for her thorough proofreading and remarkable logistical work for this issue.
THE DANCEHOUSE DIARY was founded by Dancehouse’s Artistic Director Angela Conquet in 2012. It is edited by Angela Conquet and Dancehouse’s Creative Advisor, Dr. Philipa Rothﬁeld, with the assistance of issue-speciﬁc guest editors. It is published once per year, sometimes less frequently, when the world goes too fast. The paper edition is conceived as a gift to the reader, an invitation to feel the thought and hold the time.
Proofreading and Copy Editing:
FELICITY DENNIS graduated with a Masters of Arts Management from RMIT in 2017 and for the past 15 years has worked in project development, research and general administration. In addition to producing a 22-show season of BLISS! at the Melbourne Comedy Festival (2018), Felicity has administrative and micro-finance coordination experience in the not-for-profit social services sector. Felicity is currently the Special Projects Intern at Dancehouse.
Online Copy Editing and Design:
CAITLIN MASON graduated with a Bachelor of Film and Television from Swinburne University of Technology in 2014 and is currently near completion of her Bachelor of Fine Art and Diploma of Languages (Mandarin) at RMIT city campus. A practicing photography-based artist, writer and curator, Caitlin is currently the Communications Intern at Dancehouse.
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The views and opinions expressed in this Dancehouse Diary are those of the authors and do not necessarily reflect the position of Dancehouse.
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