Alison Croggon, Andy Horwitz, Anitra Nelson, Arushi Singh, Bojana Kunst, Cassie Thornton, David Pledger, Jan Ritsema, Joeri Mol, Lim How Ngean, Mathieu Briand, Matthew Day, Max Haiven, Xavier Le Roy
Dancehouse would like to warmly thank all the contributors to this issue and particularly: the incredible Dan Perjovschi for so kindly accepting to delight us with his witty drawings; and Audrey Schmidt for her thorough transcriptions, editing and proofreading.
PHILIPA ROTHFIELD (Chair) is an Honorary Senior Lecturer in the Philosophy program, La Trobe University. She is a dance reviewer for RealTime arts magazine and Momm magazine, Korea. She is co-convenor of the Choreography and Corporeality working group, International Federation of Theatre Research. She has been dancing on and off for some decades. As a philosopher, she writes on French philosophy, political philosophy, feminism and postmodernism, specialising in philosophy of the body. She is currently writing a book on dance and philosophy. She has published on dance in relation to Merleau-Ponty, Whitehead, Nietzsche, Klossowski and Ravaisson. She is also Dancehouse’s 2014 Creative Advisor.
ANGELA CONQUET is Artistic Director of Dancehouse and founder of this publication. She has worked extensively in the independent dance sector as artistic director, presenter and producer and her work experiences took her to different contexts and countries. She is also a translator and interpreter.
DAN PERJOVSCHI is a visual artist mixing drawing, cartoon and graffiti in artistic pieces drawn directly on the walls of museums and contemporary art spaces all over the world. His drawings comment of current political, social and cultural issues. He has played an active role in the development of the civil society in Romania. His work has been presented – as exhibition, installation and performance – namely by MoMA, Basel Kunsthalle, Tate Modern London, Aichi Triennial, Centre Pompidou. He lives and works in Bucharest.
Editing, transcriptions and proofreading:
AUDREY SCHMIDT joined Dancehouse as Administration and Communications Coordinator in 2016. She is also a writer, curator and media and communications professional. In 2011, she graduated from the University of Melbourne with a double major in film, media and cultural studies and linguistics. Her continuing research centres on contemporary art, gender, biopolitics and identity in late capitalism. She is currently co-editor of Dissect Journal 3.
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The views and opinions expressed in this Dancehouse Diary are those of the authors and do not necessarily reflect the position of Dancehouse.
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