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DANCEHOUSE DIARY

  • ABOUT
    • INTRODUCTION
    • EDITORIAL POLICY
    • CONTACT
  • Issues
    • In a Glimpse
    • Issue #13: UnFoldings
    • Issue #12.2: What Now? — New Topographies of the Body
    • Issue #12.1: What Now? — Interior Lives
    • Issue #11: The Japan Issue
    • Issue #10: The Many & The Few – Assembling the political
    • Issue #09: The Money Issue
    • Issue #08: Dance and Ethics.
    • Issue #07: Rituals of Now
    • Issue #06: Body in the Raw. Nudity Today.
    • Issue #05: Body Social. Body Political.
    • Issue #04: Dance Is Massive.
    • Issue #03: Less Is More
    • Issue #02: What’s Coming?
    • Issue #01: Mobile Minds
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Anne Marsh

Dr Anne Marsh is Professorial Research Fellow at the Victorian College of the Arts, The University of Melbourne. Anne is author of Performance_Ritual Document_(Macmillan 2014)., LOOK: Contemporary Australian Photography since 1980 (Macmillan 2010), Pat Brassington: This is Not a Photograph (Quintus/University of Tasmania, 2006), The Darkroom: Photography and the Theatre of Desire (Macmillan, 2003) and Body and Self: Performance Art in Australian, 1969-1992 (Oxford University Press,1993) which was recently revised as an e-book available on Amazon. Anne is a contributing editor for Eyeline: Contemporary Visual Arts and she publishes regularly in the arts press.
conversations in Issue #07: Rituals of Now
Anne Marsh and Philipa Rothfield

Ritual and Shamanism within (Performance) Art

I think the body is a disruptive element; theorists and practitioners have come to understand that the body, the somatic, the haptic, are equally important as notions of social construction Read more...
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