At any given moment, we are the present embodiment of the past, as well as the life of the future. Life and death rituals exist so that we can attempt to access and connect to the world of the dead and inherited.
Read more...
I think the body is a disruptive element; theorists and practitioners have come to understand that the body, the somatic, the haptic, are equally important as notions of social construction
Read more...
And in fact, the image of unsuspecting audience members performing pre-determined, ritualised actions in a partially unknown context and without tangible benefit to the universe or the gods seems to resonate with the way we live our lives.
Read more...
The contemporary dance performance belongs to a “romantic” sociality and to the “useless” activities that allow for sensed experience, a lived emotion, an imaginary, a meditation.
Read more...