At any given moment, we are the present embodiment of the past, as well as the life of the future. Life and death rituals exist so that we can attempt to access and connect to the world of the dead and inherited.
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Myriam Gourfink has fascinated the French choreographic landscape for the past 10 years. Her rigorous yet challenging works have reached critical and public acclaim. Dancehouse choses two reputed dance critics to introduce her to the Australian audiences.
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