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DANCEHOUSE DIARY

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    • In a Glimpse
    • Issue #13: UnFoldings
    • Issue #12.2: What Now? — New Topographies of the Body
    • Issue #12.1: What Now? — Interior Lives
    • Issue #11: The Japan Issue
    • Issue #10: The Many & The Few – Assembling the political
    • Issue #09: The Money Issue
    • Issue #08: Dance and Ethics.
    • Issue #07: Rituals of Now
    • Issue #06: Body in the Raw. Nudity Today.
    • Issue #05: Body Social. Body Political.
    • Issue #04: Dance Is Massive.
    • Issue #03: Less Is More
    • Issue #02: What’s Coming?
    • Issue #01: Mobile Minds
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All articles tagged: audience

conversations in Issue #07: Rituals of Now
Tere O’Connor and Becky Hilton

On Letting Go, Authorship and other Choreographic Matters

Tere O’Connor in conversation with Becky Hilton. Read more...
dance thinking in Issue #05: Body Social. Body Political.
Alison Finn

Free Beer

What is the meaning, and value, of nudity or nakedness – for these are different things – in contemporary dance work? Read more...
it's all happening in Issue #04: Dance Is Massive.
Sandra Parker

Capturing The live Moment ‘The Recording’

Exposing the risk of manipulation and blind acceptance, the gap between the live ‘rehearsal’ and the capturing and recapturing process is opened up and tested on stage before the audience. Read more...
it's all happening in Issue #03: Less Is More
Jo Scicluna

Performance

Actively entering the conscious world once more, I realised that this was as much a commentary on the realities of contemporary life as it was a social and temporal experiment- Deanne Butterworth and Linda Tegg’s ‘Performance’. Read more...
feature article in Issue #03: Less Is More
Anne Davier

Less Is More

Two dances, two choreographers, almost simultaneously, overturned my representation of dance, of the body and of interpretation. Read more...
food for thought in Issue #01: Mobile Minds
Cressida Bradley

It Takes Two to Make Art Work

The relationship between the artist and their audience is enduring, empowering, transformational and critical as well as loving. And often, all at the same time. But what exactly does an audience contribute to an artist’s work? Why do artists engage with their audience? And how do artists know if it’s working? But first, why do we make art? Read more...
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