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DANCEHOUSE DIARY

  • ABOUT
    • INTRODUCTION
    • EDITORIAL POLICY
    • CONTACT
  • Issues
    • In a Glimpse
    • Issue #10: The Many & The Few – Assembling the political
    • Issue #09: The Money Issue
    • Issue #08: Dance and Ethics.
    • Issue #07: Rituals of Now
    • Issue #06: Body in the Raw. Nudity Today.
    • Issue #05: Body Social. Body Political.
    • Issue #04: Dance Is Massive.
    • Issue #03: Less Is More
    • Issue #02: What’s Coming?
    • Issue #01: Mobile Minds
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  • Articles
    • editorial
    • feature article
    • what artists think
    • diary entries
    • conversations
    • food for thought
    • it’s all happening
    • dance thinking
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  • Dancehouse

Phillip Adams

Phillip Adams and his company, BalletLab, cultivates ground breaking contemporary hybrid cross-disciplinary projects that embrace a cultural risk in the arts at a recognised platform of rigorous experimentalism. Adams proposes projects that exist between two established cultural frameworks: performance/venue and increasingly, museum/gallery. Adams processes into the world of collaboration through the medium of design, fashion, architecture, cinema, queer culture, the unorthodox, visual arts, science and sociology and more recently, community based live arts performance. Phillip Adams has been commissioned to make works by many companies including MONA FOMA, The Australian Ballet, Chunky Move, Guangdong Modern Dance Company (China), Dance Works Rotterdam (NL), City Contemporary Dance Company (HK), Festival of Mexico, Melbourne Recital Centre among others.
conversations in Issue #06: Body in the Raw. Nudity Today.
Phillip Adams, Jill Orr and Jessica Sabatini

Phillip Adams in conversation with Jill Orr

What went wrong?! Where did we go wrong with our naked politics? Read more...
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