Skip to content

DANCEHOUSE DIARY

  • ABOUT
    • INTRODUCTION
    • EDITORIAL POLICY
    • CONTACT
  • Issues
    • In a Glimpse
    • Issue #12.2: What Now? — New Topographies of the Body
    • Issue #12.1: What Now? — Interior Lives
    • Issue #11: The Japan Issue
    • Issue #10: The Many & The Few – Assembling the political
    • Issue #09: The Money Issue
    • Issue #08: Dance and Ethics.
    • Issue #07: Rituals of Now
    • Issue #06: Body in the Raw. Nudity Today.
    • Issue #05: Body Social. Body Political.
    • Issue #04: Dance Is Massive.
    • Issue #03: Less Is More
    • Issue #02: What’s Coming?
    • Issue #01: Mobile Minds
    • Download Issues
  • Articles
    • editorial
    • feature article
    • what artists think
    • diary entries
    • conversations
    • food for thought
    • it’s all happening
    • dance thinking
  • CONTRIBUTORS
  • ENGAGE
    • CONTRIBUTE
    • SUPPORT
    • SUBSCRIBE
  • Dancehouse

Dianne Reid

Dianne Reid is a performer, choreographer, camera operator, video editor and educator. She works in both live and screen contexts. She was a founding member of Outlet Dance in Adelaide (1987–89) and a member of Danceworks from 1990–95. Dianne completed a Master of Arts in Dance on Screen in 2001 and her dance video works have screened internationally. From 2004-2006, she was Artistic Director of Dancehouse before receiving an Asialink Performing Arts residency to India in 2006 at Darpana Academy of Performing Arts. Dianne was a lecturer in contemporary dance and dance video at Deakin University (1996–2018). She obtained a PhD with her ‘live screendance’ project Dance Interrogations; her site-specific solo work Cabin Fever won Adelaide Fringe weekly awards for Best Dance in 2019 and 2020.
diary entries in Issue #12.2: New Topographies of the Body
Dianne Reid

Eulogy for the Body

Now we are gathered for a final mapping / a corpus navigation from pole to pole / charting the terrain of a life. Read more...
Published by