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DANCEHOUSE DIARY

  • ABOUT
    • INTRODUCTION
    • EDITORIAL POLICY
    • CONTACT
  • Issues
    • In a Glimpse
    • Issue #13: UnFoldings
    • Issue #12.2: What Now? — New Topographies of the Body
    • Issue #12.1: What Now? — Interior Lives
    • Issue #11: The Japan Issue
    • Issue #10: The Many & The Few – Assembling the political
    • Issue #09: The Money Issue
    • Issue #08: Dance and Ethics.
    • Issue #07: Rituals of Now
    • Issue #06: Body in the Raw. Nudity Today.
    • Issue #05: Body Social. Body Political.
    • Issue #04: Dance Is Massive.
    • Issue #03: Less Is More
    • Issue #02: What’s Coming?
    • Issue #01: Mobile Minds
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  • Dancehouse

Andy Horwitz

Andrew Horwitz is a critic, curator and cultural producer. He is the founder of the website Culturebot.org and a 2014 recipient of the Creative Capital | Warhol Foundation Arts Writers Grant. He has worked in NYC as the Director of Public Programs for the Lower Manhattan Cultural Council, Producer at Performance Space 122 and co-curator of the PRELUDE Festival at the Martin E. Segal Theater Center at the Graduate Center at CUNY. His writing has been published in The Atlantic, The Guardian, Art Practical, The Live Art Almanac Volume 3 and Americans for the Arts’ ARTSBlog. Most recently he was a lecturer on the theory and practice of cultural production at the University of California San Diego. He currently lives in Los Angeles.
from the worldwide world in Issue #09: The Money Issue
Andy Horwitz

America Without Tears

That strand of conceptualism in contemporary choreography that seeks to remove the body from the consideration of dance, when favoured by elite American arts programmers, curators and institutions, has real consequences. Read more...
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